Orangeburst
Attention all Planets of the Solar Federation
- Joined
- Jun 19, 2008
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Reworking with polyphony, counterpoint, fugal development, theme and variations, and sonata form is more than simple reworking.A lot of classical music just took popular melodies and "classicaled" them up, like copland a gift to be simple. Dont see why this would upset anyone. Reworking old themes is how music works.
I am indeed “dumb” so you can’t insult me that way if that is your intent. Yes, people do their own “interpretations” all the time. Honest artists however do not take a masterwork, rewrite it, and stick the original label back on it.People do their interpretations of music and art all the time. It doesn't take away from the original at all. Your outrage is just plain dumb.
I answer your question below. Now as a common courtesy, I would ask you a question as well that is quite relevant. Is it possible for a work of art to be sufficiently relevant to African Americans if it was written by a dead white European Male? (Ie, can Art only be relevant or inclusive ONLY if it incorporates or originates in the culture in question)?So, again, is it only "Woke" in your eyes because it includes African percussions?
Do you just automatically assume black is woke? You keep sidestepping this.
Dvorak and Schubert both wrote incredible ninths, but yes, I agree. Shostakovich had fun with his ninth and defied expectations by basically writing a lighthearted musical joke . Stalin was not amusedWith you on this one. I listen to it all the time.
As Niels Gade is quoted as saying, "There is only one Ninth" referring to Ludwig's.
Just read the article. It’s a cavalcade of woke nonsense.
Maestra
Zulu & Maori text
Tracy K Smith & Wordsmith
African drumming
Jazz ensembles
Reena Esmail
Why is African Drumming culturally relevant to Baltimore? Because there’s a lot of black folks there?
Will be interesting to get @AshG perspective if he comes back from lent
My favorite “cover” of all time was Led Zeppelin’s awesome cover of “Where the Levee Breaks”. WowOkay, some good points made here. I've enjoyed many pop songs with their basis in classical music. Even some songs I would most likely initially think untouchable are fair game for me now. For example, I think the Disturbed Screaming Man's version of Sound of Silence is excellent. Even movies are not immune. I like the Cohen Brothers' True Grit better than the Duke's. I'm leery of the proposed remake of The Wild Bunch, however, Mel Gibson is more than an able director.
Not anywhere NEAR as well-versed as @OrangeTsar, I am more like John Cleese's Pope admonishing Michelangelo, that while he may not know much about art, he knows what he likes. In his defense, there have been some half-baked "woke" comments about the classics that seemed pretty absurd on the surface, including some about the 9th.
You don’t know Beethoven’s personality very well do you?Beethoven wouldn't mind if he were around. Let's face it...he wouldn't disapprove of a single note he heard.
You don’t know Beethoven’s personality very well do you?
“Was ich sch******e ist besser als du je gedacht!”
or
“What I s**t is better than anything you could ever think up!”
Ludwig van Beethoven (German Composer & Pianist 1770-1827)